Skip to content

a blog on effects

Menu
  • Home
  • collection (486)
  • Ibanez (111)
  • Danelectro (53)
  • DOD, Digitech (51)
  • Electro-Harmonix (40)
  • Boss (54)
  • Other Brands (177)
Menu

Ibanez DPL10 Digital Pan Delay

Posted on 13/12/2014 by mirosol

DPL10

What is it?
Ibanez PDL10 Digital Pan Delay from 10/Power series. Made in japan in late 80’s.

Got this as a defunct unit from one finnish guy i did some deals and trades with. As it was not passing signal, the previous owner had borrowed the stomp lid to another pedal. Gladly, i happened to have one to spare from a defunct (completely dead) DL10 i sourced long ago in a deal of a few pedals that were not in working order. So. To the debugging. The signal died at the input buffer that was a half of 4558 SIP chip. I initially assumed that the chip was dead and it took a while to me to order a few of those in. As those, obviously, are not that common parts to be had lying around (now i do have a few if i ever need them again). As the voltages on that chip pins didn’t look healthy, my assumption was the chip being dead. The rest of the circuit seemed to be in working order, as when i injected the guitar signal to either one of the M50195P digital delay chips, the output was correct. Swapped the 4558 for a new one and nothing. Still the voltages were off by any standards.

DPL10-guts1

And of course there’s no factory schematic around for this unit. So i had to do some detective work to find out what was wrong.  I noticed there was a separate reference voltage network for the input buffer and the measured voltages on that network were off too. In other words, the reference voltage wans’t there. The chip was getting the supply voltage, but the reference. I widened my search for the cause and everything seemed to be in order. But the input buffer still didn’t get its reference voltage.

DPL10-guts2

Went on to check more and more and tested the continuity of a few key spots for this netork. Finally i found it. It’s not that common for the 10-series to have two sided circuit boards. Most of the designs are utilizing a single sided board with other side for solder and other for components. This is not the case with PDL10. And when i think it more, this is not the case for any of the more complex boards, mainly delays, in this series. So i finally found the reason for the defect and what was causing it.

DPL10-guts3

At one point, this unit has gotten a jolt from reverse polarity power supply. Due to burnt out parallel polarity protection, the diode has been replaced after the incident. The person who serviced the pedal soldered a new 1N4007 diode in place and since that didn’t fix the pedal, he must have deemed it totally broken. But no, it wans’t totally broken. The issue was that the cathode side of this polarity protection diode acts also as an via, which connects the supply voltage to the other side of the board too.

DPL10-guts4

And this via is the spot that takes the supply voltage for the voltage divider of the input buffer’s reference voltage network. And since the diode wasn’t soldered properly on the component side, but only on the solder side, the network wasn’t getting its supply voltage. I then reflowed the solder around the diode and boom. Working PDL10.

DPL10-guts6

Repairing this unit was a great challenge and i’m more than happy that i could do it. This Pan Delay is already enjoying a “rare” status and the prices are what you would expect from a rare mid-80’s Ibanez pedal. The design is pretty cool, but since it is what it is, a hit it was not. Sure. One can use this in a similar manner than the DL10, which has the same digital delay line inside, but in that case, 50% of the effect is unused. Pan delay in this case means that there are two delay lines constantly out of sync with each other. The input signal is splitted to both lines’ input and the outputs are separate. Meaning that the outputs are meant to be used for stereo. This way the other delay line pumps its repeats in one phase to to the left output and the other pumps its repeats, out of sync, to the right output. And this creates our ping-pong style panning delay.

Not that many panning, or ping-pong delays out there. And at least to me, the reason is pretty simple. Most of us use out pedals with guitars. Guitars tend to have one output and amps tend to have one input. So the stereo use is best to leave with studio experiments.

Either way. It is a beautiful unit with crowded board and neat board design. Definitely a one trick pony, but a rare specimen of this particular trick. Amazing unit to have.

How does it sound?
Good. It can be used as a single delay line, and in that scenario it doesn’t differ much from the sleek and smooth hi-fi digital delay tones of the DL10. Actually is sounds exactly the same. I think one could achieve the same sounding effect by splitting a signal for two DL10s and somehow creating a separate sync for those. It is clean and nice sounding delay with nothing too special in its tone. The ping-pong output is the speciality on this one. Great unit for studio work.

3 thoughts on “Ibanez DPL10 Digital Pan Delay”

  1. Stephen McDermott says:
    11/11/2017 at 06:38

    Hi
    I have one of these with a burnt D5 diode at the power supply right at the top right of the board next to the input jack and I was wondering if you would take a photo of yours and send it to me so I can identify it.
    It would be greatly appreciated.

    Reply
  2. Alejandro says:
    15/11/2018 at 22:17

    Hi, I have one of this pedals but the VR1 level control with 5 pin is broken… it turns endless and the sound level doesn’t change … do you know what for are the 2 extra pins can i replace it wit a double potentiometer or what can i do??. Thanks for your attention.

    Reply
  3. Frank says:
    13/02/2022 at 13:45

    Hi, i read that you changed the lid on a 10 series ibanez pedal. Do you mean the black lid that covers the battery compartment? I want to change lids myself on a TS10. do you have advice on how to proceed (perhaps photo)? Cheers

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

/usr/bin/locate

/usr/bin/whoami

here used to be a short description of me. however, it wasn't exactly accurate anymore. so i'm replacing it with this placeholder for now. and yes. it's been a long time since my last post. but let me assure you. i'm very much still alive.

Found an error? One of my assumptions is dead wrong? Something else is just not right? Let me know! Leave a comment to a post, or drop a line to mirosol at kapsi dot fi.

I do mods, repairs and custom builds too. For inquiries, use the email address above.

/var/lib/collection

  • Electro-Harmonix (40)
  • DOD, Digitech (51)
  • Other Brands (177)
  • Boss (54)
  • Danelectro (53)
  • Ibanez (111)

/var/lib/tags

Amp Autowah Bass Boost Booster Chorus Compressor Delay Distortion Echo Envelope Filter EQ Filter Flanger Fuzz Harmony Loop Modulation Noise Gate Octave Overdrive Phaser Pitch Power Preamp Reverb Special/Multi Synthesizer Tremolo Tuner Utility Vibe Vibrato Wah

/usr/lib/comments_recent

  • zix on DOD FX55-B Supra Distortion
  • Ali Imran on Ibanez MF5 Modern Fusion
  • Ali Imran on Ibanez MF5 Modern Fusion
  • Schlunzo on Ibanez MS10 Metal Charger
  • Jefferson on Ibanez MS10 Metal Charger

/var/lib/archives

  • August 2016
  • July 2016
  • June 2016
  • September 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
© 2025 | Powered by Superbs Personal Blog theme